Sunday, August 8, 2010

It isn't Magic by Gregory Orr

The End of a Cold Night by lrargerich

It's not magic; it isn't a trick.
Every breath is a resurrection.
And when we hear the poem
Which is the world, when our eyes
Gaze at the beloved's body,
We're reborn in all the sacred parts
Of our own bodies:
the heart
Contracts, the brain
Releases its shower
Of sparks,
and the tear
Embarks on its pilgrimage
Down the cheek to meet
The smiling mouth.
 
~ Gregory Orr ~
 
(Concerning the Book that is the Body of the Beloved)
Film--David Whyte: The Opening of Eyes 





Gregory Orr "It's Magic" from www.Panhala.net archives April 2010


The End of a Cold Night by lrargerich@ Flickr Creative Commons./ post by Picturegirl






Saturday, August 7, 2010

Open to Available Light

Red Poppy--Georgia O'Keefe


To be open to available light
in gesture, in affection, in spirit, in action;
to allow others to see the core of your
being--hearty, rich and filled 
with the seeds of compassionate grace--
is to be truly alive, fully present in the world 
and fully engaged with the divine.
--Noelle Renee 

David Whyte Incarnation Part I (1:34)


David Whyte Incarnation Part 2 (:43)

Friday, August 6, 2010

Haiku My Heart: Amelie’s Aviary Guides

Amelie (2)

le fabuleux destin d'Amélie © www.cerebellum.de with kind permission

 

Aviary guides
serenade Amelie with
songs of feathered flight

--Noelle Renee

(Improved Repost for old times sake)

For More Haiku My Heart Go to Recuerda mi Corazon

 

 

cerebellum hails from Nuremberg, Germany.

Haiku My Heart: Amelie's Aviary Guides

le fabuleux destin d'Amélie © www.cerebellum.de with kind permission


Aviary guides



serenade Amelie with


songs of feathered flight
~Noelle Renee
8-6-10

 










Thursday, August 5, 2010

"Let the Beauty we love be what we do."

Lavender Calm http://pixdaus.com/single.php?id=256072&from=email


Today, like every other day, we wake up empty
and frightened. Don't open the door to the study
and begin reading. Take down a musical instrument.
Let the beauty we love be what we do.
There are hundreds of ways to kneel and kiss the ground.

-- Rumi



Ladies in Lavender by violinist, Joshua Bell/film by xycuriousityxy

Wednesday, August 4, 2010

Reclaiming the Human Within

Beauty and The Beast Marianna Mayer and Mercer Mayer 
"Beauty's task is... to look where others would not, and to perceive the man within the Beast. The Beast's own task is patience, and the reclaiming of the human within himselfWindling, T.


 Years ago, when I was but 21, I had a job in Santa Barbara at a small boutique on State Street called “The Midnight Butterfly.” It is no longer there, but my memories of it remain vivid for one reason in particular. At that time, State Street was not the tourist attraction that most people know today. Back in the late 70’s, homeless people were still allowed to sit or sleep on the streets, use public bathrooms regularly and mix with Santa Barbara locals and tourists alike without being harassed by police to move on to another less colorful, less populated spot.  During my lunchtime, I would see the homeless men, (they were mostly men back then) gathered in front of what was then The Schooner Inn and Donut shop. Most had been drinking all night and into the morning, yet there was a forthright and generous comradeship among them. Before changes were made to divert traffic on the main freeway, many of the men camped beneath a lofty fig tree with wide and sheltering branches that grew  in a small park beside the railroad tracks. On my days off, I would see them there in the afternoon and early evening, drinking and cooking, setting up their sleeping bags within the roots of the great tree as if she were a source of succor and solace that they found wanting elsewhere. Not one of them was unpleasant to anyone, and I knew several men by name. Occasionally, I would buy sandwiches for some of them, although I don’t think it was food they were interested in.

There was one fellow about thirty years of age, who particularly attracted my attention sitting in front of the donut shop most of the day.  I remember asking him once what he was doing and he replied that it was his task to “hold up the building which was crumbling quickly.” His name was George and he was from the Deep South. He had a lovely, rich baritone voice, like dark honey on warm bread and would play guitar and sing when I came out for lunch in the afternoon.  We became friends in short order. He asked me if he could walk me home from work when it was dark and he would come in, play me some songs that he had learned over the years and I would feed him dinner. Sometimes he would simply walk me home and leave after giving me a hug. I never knew where he went when he left although he was always clean and appeared better taken care of personally than many of the men on the street that I had seen.   Because I was young and unfamiliar with life on the street, I tried now and then to help George acquire work, and he would dutifully fill out an application, but I believe he rarely arrived for an interview as liquor and low self-esteem had stolen his better angels away from him.

One night, as we were walking home in winter, it began raining incredibly hard, and I asked George where he would be staying for the night. He assured me that he would find a place and told me not to worry, but something in me didn’t feel right, and I asked him if he would like to stay. I lived in a studio with an efficiency kitchen and half bath, so small that if you stretched your arms across you could reach both walls, with your fingertips.  He accepted my invitation and rolled out his sleeping bag on my rug near my bed.  As the silver rain beat down on the roof of the old Victorian in which I lived, the two of us remained cozy and warm for the night. I asked George if he would like me to read him a story. He looked at me in great surprise and then smiled and said, “Yes, that would be nice.”  I went to the shelf and brought down my copy of Marianna Mayer’s version of “Beauty and the Beast” the most beautifully illustrated I have seen.  I sat on the floor next to him and he lay in his sleeping bag as I read him the story of a woman who was able to look and love, where others could not, and a beast who was finally able to find again what was most human within himself. (paraphrase of T. Windling’s quotation).  When I finished the story, George remarked to me, “That is the first story that anyone has ever read to me.  My father always told me that I wouldn’t amount to much.”  And then he went off to sleep. I hope that his dreams were good ones, of dancing with a princess in a rose garden while drinking out of a fine goblet with birds serenading him as he looked into the eyes of his beloved.

I would like to say that there was as happy an ending for George as there was for Beauty and the Beast, but I don’t know that that is the case. I knew him for a couple years and then he disappeared from Santa Barbara altogether. I still think of him, and it has been 22 years since that night that two lonely grown children shared a roof, a midnight conversation and a fairytale together. If you are reading this George, I still see you.
--Noelle Clearwater (all rights reserved by author).


The Terror of Beauty by Cassie Lipowitz/ Music: "Fur Alina"Arvo Part/Poem Rilke




http://www.endicott-studio.com/rdrm/forbewty.html).


Rilke, Rainer Marie. Duino Elegies. Excerpt of The First Elegy. Shambhala Publications Inc., 1992. Tr. by Stephen Mitchell

http://talesoffaerie.blogspot.com/2010/05/inspirations-for-disneys-beauty-and.html (illustration Mercer Mayer)


Windling, Terry. "Beauty and the Beast". http://Sur La Lune Fairytales.com

Tuesday, August 3, 2010

Gesture Toward the Light

Ballet Dancer : Pixdaus posted by Eibar/http://pixdaus.com/pics/1240883229aNEXvEK.jpg




Dream within a dream


Arms outstretched toward the light


Whirling, joyful dance.


--Noelle Renee


Song of Joy/Angel Voices/St. Philip's Boys Choir